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Kamis, 27 Agustus 2009

Japan







Japan were a British pop/rock group, formed in 1974 in Lewisham, South London. The band achieved success in the late 1970s/early 1980s, when they were often associated with the burgeoning New Romantic fashion movement (though the band themselves have downplayed any such connection).
Contents
[hide]

* 1 History
o 1.1 Early years
o 1.2 Mid-career
o 1.3 Final years
* 2 Discography
o 2.1 Singles and EPs
o 2.2 Albums
+ 2.2.1 Compilations
o 2.3 Video/DVD
o 2.4 Remasters
o 2.5 Rare material
o 2.6 Tribute Album
* 3 See also
* 4 References
* 5 External links

[edit] History

[edit] Early years

Original members:

* David Sylvian (original name David Batt): vocals, guitar, keyboards
* Mick Karn (original name Anthony Michaelides): bass guitar, saxophone, oboe
* Rob Dean: guitar
* Steve Jansen (Sylvian's brother, Steve Batt): drums and percussion
* Richard Barbieri: keyboards

The band debuted on record with 1978's Adolescent Sex and subsequently Obscure Alternatives, which both sold well in Japan (where the band's name helped them to gain a devoted cult following) and the Netherlands where the single "Adolescent Sex" was a Top 30 hit, they also gained some popularity in Canada. However in their native Britain those albums were largely ignored.

Though influenced by artists such as the New York Dolls, Roxy Music and David Bowie, both albums were widely dismissed by the British music press as being distinctly outmoded at a time when punk and New Wave bands were in ascendence. The band were managed by Simon Napier-Bell who also managed The Yardbirds, Marc Bolan, London and Wham!.

[edit] Mid-career

Their third album, 1979's Quiet Life, heralded a significant change in musical style from the earlier largely guitar-based music to a more electronic sound, with more emphasis on Barbieri's synthesisers, Sylvian's svelte baritone style of singing, Karn's distinctive fretless bass sound and Steve Jansen's odd-timbred and intricate percussion work with Dean's guitar playing becoming increasingly sparse and atmospheric. Quiet Life was their last studio album for Hansa-Ariola, though the label would later issue a compilation album ("Assemblage") featuring highlights from the band's tenure on the label, followed by a series of remixed and re-released singles.

[edit] Final years

Their final two studio albums, Gentlemen Take Polaroids (1980) and Tin Drum (1981), were released on the Virgin label, and continued to expand their audience as the band refined its new sound and, somewhat unintentionally, became associated with the early-1980s New Romantic movement. Tin Drum in particular is critically regarded as one of the most innovative albums of the 1980s, with its startlingly original fusion of occidental and oriental sounds, and peaked just outside the UK Top 10. Its unconventional single "Ghosts" reached #5 on the UK charts, becoming Japan's biggest domestic hit and one of only a very few such 'minimalist' songs to achieve such heights.

With personality conflicts leading to rising tensions between band members, Tin Drum was to be the band's final studio album. Long-simmering differences among the bandmembers came to a head when Karn's girlfriend, photographer Yuka Fujii, moved in with Sylvian and the individual members forged ahead with their own projects. Rob Dean had already departed towards the end of the Gentlemen Take Polaroids sessions, as his electric guitar work was increasingly regarded as superfluous. During this period, Japanese multi-instrumentalist and experimental keyboardist Ryuichi Sakamoto briefly collaborated with the band, and worked directly alongside Sylvian on tracks such as "Taking Islands In Africa."

The group's final UK performance came in November 1982, culminating in a six-night sell-out stint at London's Hammersmith Odeon. During this period, guitarist and keyboardist Masami Tsuchiya performed with the band on stage. Japan's last ever performance was on 16 December 1982 in Nagoya, Japan. The band's final Hammersmith concerts were recorded to produce Oil On Canvas, a live album and video released in June 1983. Ironically, the band decided to split just as they were beginning to obtain long-overdue commercial success both in their native UK and internationally, with Oil On Canvas becoming their highest charting British album, reaching #5. Virgin Records continued to release Japan singles into 1983.

All of the band members went on to work on other projects, with varying degrees of success. A reformation of the band members (Sylvian, Karn, Jansen, & Barbieri) in 1989-1990 under the name Rain Tree Crow produced only one eponymously-titled album, released in April 1991, which was well-received by music critics and reached the UK Top 25. Once again, the band dissolved following frictions between Sylvian and the other members.

[edit] Discography

[edit] Singles and EPs

* "Don't Rain on My Parade"/"Stateline" (UK, Germany, Australia, Italy) 1978
* "Adolescent Sex"/"Don't Rain On My Parade" (Spain) 1978
* "The Unconventional"/"Lovers On Main Street" (Japan) 1978
* "The Unconventional"/"Adolescent Sex (re-recorded version)" (UK) 1978
* "Adolescent Sex (re-recorded version)"/"Transmission" (Italy) 1979
* "Adolescent Sex (re-recorded version)"/"Sometimes I Feel So Low" (Germany, Holland, France) 1978
* "Sometimes I Feel So Low"/"Love Is Infectious" (UK, USA, Japan) 1978
* "Deviation"/"Suburban Berlin" (Holland) 1979
* "Life In Tokyo"/"Life In Tokyo (Part Two)" (UK, USA, Canada, Germany, France, Japan, Australia, Italy) 1979
* "Quiet Life"/"Halloween" (Japan) 1979
* "I Second That Emotion"/"European Son" (Japan) 1980
* "I Second That Emotion"/"Quiet Life" (UK, Germany, Holland) 1980
* "Special Edition EP" (Canada) 1980
* "Live In Japan EP" (Germany, Holland, Belgium) 1980
* "Gentlemen Take Polaroids EP" (UK #60, Germany, Japan) 1980
* "The Singles EP" (Japan) 1981
* "The Art of Parties"/"Life Without Buildings" (UK #48) 1981 - also Canadian EP with two tracks from the "Gentlemen Take Polaroids" EP
* "The Art of Parties"/"My New Career" (Australia, Japan) 1981
* "Life In Tokyo"/"European Son" (UK, Germany) 1981
* "Quiet Life"/"A Foreign Place" (UK #19) 1981
* "Visions Of China"/"Taking Islands In Africa" (UK #32, Australia) 1981
* "European Son (remix)"/"Alien" (UK #31, Germany) 1981
* "Ghosts"/"The Art Of Parties (live version)" (UK #5 and most other countries except Japan) 1982
* "Cantonese Boy"/"Burning Bridges" (UK #24) 1982 - also a double pack version with extra tracks
* "I Second That Emotion (remix)"/"Halloween" (UK #9, Germany) 1982
* "Life In Tokyo (remix)" (UK #28) 1982
* "Nightporter"/"Ain't That Peculiar" (UK #29, Germany) 1982
* "Nightporter EP" (Japan) 1982 - includes b sides from UK releases
* "All Tomorrow's Parties"/"In Vogue" (UK #38) 1983
* "Canton"/"Visions Of China" (live versions) (UK #42) 1983

[1]

[edit] Albums

* Adolescent Sex, March 1978
* Obscure Alternatives, November 1978
* Quiet Life, December 1979 (UK #53) — [Certified Gold in March 1984]
* Gentlemen Take Polaroids, November 1980 (UK #45) — [Certified Gold in November 1986]
* Tin Drum, November 1981 (UK #12) — [Certified Gold in March 1982]
* Rain Tree Crow, April 1991 (UK #24), Japan reformed under the RTC moniker

[1]

[edit] Compilations

A bewildering number of Japan compilation albums have been released. The following albums were compiled in consultation with group members and include some non-album and previously unavailable material.

* Assemblage (UK, European countries, Japan) 1981 (UK #26) — [Certified Gold in January 1983] - earlier material (1978-80) including several non album singles.
* Oil on Canvas, June 1983 (UK #5) — [Certified Gold in February 1988] (mainly live double album, featuring some new solo instrumental pieces).
* Exorcising Ghosts (UK, European countries, Japan) 1984 (UK #45) — [Certified Gold in February 1997] - material from the Virgin Records (1980-82) era of the band's career.
* Souvenir from Japan (UK, BMG release) 1989 - compilation of their Hansa-Ariola material that includes non-album singles I Second that Emotion, Life in Tokyo and European Son and the B-side State Line
* Japan In Vogue (UK, BMG release) 1996 - compilation of their Hansa-Ariola material that includes 12" versions of All Tomorrow's Parties, European Son and Life In Tokyo
* The Very Best of Japan (Worldwide release) 2006 - remastered compilation including songs from both the Hansa-Ariola and Virgin eras of the band's history.

[1]

[edit] Video/DVD

* "Oil On Canvas" 1983 (VHS, Beta, LD) - live material filmed at the Hammersmith Odeon in 1982
* "Instant Pictures" 1984 (VHS, Beta, LD) - promo videos and alternate versions of live tracks
* "Video Hits" 1999 (DVD), Japan only - early video clips
* "The Very Best of Japan" 2006 (DVD) - a compilation including the Oil On Canvas concert and a collection of promo videos

[edit] Remasters

In 2003, Virgin Records re-issued remastered editions of Gentlemen Take Polaroids, Tin Drum and Oil on Canvas. BMG followed suit next year, and re-issued Adolescent Sex, Obscure Alternatives, Quiet Life, and Assemblage. All of these re-releases came in the 'digipak' format, collecting many bonus tracks. In 2006 all were repackaged in jewel cases to allow sale at a lower price point.

The Tin Drum digipak re-issue was of particular interest as it was packaged in a cardboard box and contained a bonus 5-inch single The Art of Parties, which comprised The Art of Parties (7" single and live versions), Ghosts (single version) and Life Without Buildings (B-side to The Art of Parties single). The package also included a booklet with black-and-white photos of the band members.

[edit] Rare material

The following Japan tracks appeared on vinyl but have not yet been released on CD:

* "Quiet Life" (Japanese single version)
* "Burning Bridges" (from the "Gentlemen Take Polaroids" EP) - an alternate version produced by David Sylvian
* "Ain't That Peculiar" (version from the compilation album "Cash Cows" and b-side of "Nightporter, different from the version on the 'Polaroids' album)
* "Nightporter" (Steve Nye remixed single and radio edit versions)
* "Gentlemen Take Polaroids" (7" single version from the "Gentlemen Take Polaroids" EP)

[edit] Tribute Album

"Life In Tokyo - A Tribute to Japan" (BMG Japan) 1996

[edit] See also

* Rain Tree Crow

[edit] References

1. ^ a b c Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 279. ISBN 1-904994-10-5.

[edit] External links

* Japan Nightporter - Fan Site
* Japan Life in Tokyo - Fan Site
* Orpheus.me.uk - Fan Site for Japan and band members

[hide]
v • d • e
Japan
David Sylvian · Mick Karn · Steve Jansen · Richard Barbieri · Rob Dean
Studio albums
Adolescent Sex · Obscure Alternatives · Quiet Life · Gentlemen Take Polaroids · Tin Drum · Japan · Rain Tree Crow
Live album
Oil on Canvas
Compilations
Assemblage · Exorcising Ghosts · The Very Best of Japan
Related articles
Simon Napier-Bell · John Punter · Steve Nye · Ray Singer · Ryuichi Sakamoto · Masami Tsuchiya · The Dolphin Brothers · Nine Horses · Porcupine Tree · Virgin Records · New Romantic · Hansa Records · Japan (country)

Selasa, 18 Agustus 2009

Gil Doron Reichstadt Ofarim









Gil Doron Reichstadt Ofarim (born August 13, 1982 in Munich, Bavaria) is a German singer, songwriter and occasional actor, currently also known as the lead singer of the band Zoo Army.

Gil's showbiz career took-off in May 1997 when he was spotted in a Munich underground station by a talent scout for Bravo magazine and was asked to do a pictorial story spread. The article generated thousands of letters from fans and he landed a recording contract with BMG. His first single "Round 'N' Round (It Goes)" was released in November 1997 and became a Top 40 smash in Germany. His album Here I Am was released in May 1998 and was very successful in several Asian countries, including Thailand, the Philippines, and Singapore. He became the first musician to have three singles ("Never Giving Up Now," "Talk To You," and "If You Only Knew" - a collaboration with The Moffatts) on Thailand's Top 5 simultaneously. [1]

After several other successful singles, Gil became disenchanted with being a teen idol. His 2003 release On My Own showcased his move in a different musical direction, as well as his physical appearance.

Since June 2005 Gil is the lead singer of Zoo Army. Zoo Army consists of Gil, Tal (his brother), Roland Söns and Dominik Scholz. They released their first single "I'm Alive" and album 507 in the first half of 2006.

He is also active as an actor and played the part of Christoph in the Pro7-Production Endlich Sex! (Finally Sex!) in 2004 and Stefan Döbbelin in the TV two-part Sturmflut, Die (The Storm Tide) in 2006. His latest role is Max in the psycho-thriller Strip Mind which opened in Germany on January 3, 2007.

Gil speaks German, Hebrew, and English. He sings in English.

Although Gil is virtually unknown in the United States, he has an impressive underground fan following. He had a brief surge in popularity in the late 1990s when Hanson fans noticed that Gil's younger brother, Tal, bore a strong resemblance to Zac Hanson.

His Israeli father, Abi Ofarim, was a star in his own right, a folk artist, who had a group with his first wife Esther Ofarim. Gil's mother, Sandy, is Abi's third wife.
Contents
[hide]

* 1 Discography
o 1.1 Albums
o 1.2 Singles
* 2 External links
* 3 References

[edit] Discography

[edit] Albums

* Here I Am (1998)
* Children Of The World (1998)
* The Album (2000)
* The Best Of Gil ... So Far (2001)
* On My Own (2003)
* 507 (Zoo Army) (2006)
* 507 Limited Edition (Zoo Army) (2006)

[edit] Singles

* "Round'n'Round (It Goes)" (1997)
* "Never Giving Up Now" (1998)
* "If You Only Knew" (featuring The Moffats) (1998)
* "Here I Am" (1998)
* "Let The Music Heal Your Soul" (featuring Various Artists) (1998)
* "Talk To You" (1998)
* "Walking Down The Line" (1999)
* "Out Of My Bed (Still in My Head)" (1999)
* "The Reason" (2003)
* "She" (2003 - not released)
* "In Your Eyes" (2004)
* "I'm Alive" (Zoo Army) (2006)

Sabtu, 01 Agustus 2009

Cream





Cream were a 1960s British blues-rock band and supergroup consisting of bassist/vocalist Jack Bruce, guitarist/vocalist Eric Clapton, and drummer Ginger Baker. Their sound was characterised by a hybrid of blues, hard rock and psychedelic rock.[1] Retrospectively determined to be "the first supergroup", Cream combined Clapton's blues guitar playing with the powerful voice and intense basslines of Jack Bruce and the jazz-influenced drumming of Ginger Baker. They have sold over 35 million albums worldwide.[citation needed] Wheels of Fire was the world's first platinum-selling double album.[2][3] Cream is widely regarded as being the world's first notable and functioning supergroup.[4][5][6]

Cream's music included songs based on traditional blues such as "Crossroads" and "Spoonful", and modern blues such as "Born Under a Bad Sign", as well as more eccentric songs such as "Strange Brew", "Tales of Brave Ulysses" and "Toad". Cream's biggest hits were "I Feel Free" (UK, #11),[3] "Sunshine of Your Love" (US, #5),[7] "White Room" (US, #6),[7] "Crossroads" (US, #28),[7] and "Badge".

Cream, together with The Jimi Hendrix Experience, made a significant impact upon the popular music of the time, and along with Hendrix popularised the use of the wah-wah pedal. They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of English bands such as Led Zeppelin, Deep Purple, and The Jeff Beck Group in the late 1960s. The band's live performances influenced progressive rock acts such as Rush,[8] jam bands such as The Allman Brothers Band, Grateful Dead, Phish and heavy metal bands such as Black Sabbath and Wolfmother.[9]

Cream were ranked #16 on VH1's 100 Greatest Artists of Hard Rock and Rolling Stone Magazine named them the sixty-sixth greatest artist of all time.[10]
Contents
[hide]

* 1 History
o 1.1 Formation
o 1.2 Fresh Cream
o 1.3 Disraeli Gears
o 1.4 Wheels of Fire
o 1.5 Goodbye
* 2 Breakup
* 3 Post-Cream
* 4 Reunions
o 4.1 Rock and Roll Hall of Fame
o 4.2 2005
* 5 2006-present
* 6 Discography
* 7 Cream tribute songs
* 8 References
* 9 External links

[edit] History

[edit] Formation

By July 1966, Eric Clapton's career with The Yardbirds and John Mayall's Bluesbreakers had earned him a reputation as the premier blues guitarist in Britain.[1] Clapton's virtuosity and raw power with the instrument inspired one fan to spray paint the words "Clapton is God" on the wall of an Islington underground station.[11] Clapton, however, found the environment of Mayall's band confining, and sought to expand his playing in a new band.

In 1966, Clapton met Baker, then the leader of the Graham Bond Organisation, which at one point featured Jack Bruce on bass, harmonica and piano. Baker, too, felt stifled in the GBO, and had grown tired of Graham Bond's drug addictions and bouts of mental instability. "I had always liked Ginger", explained Clapton. "Ginger had come to see me play with John Mayall. After the gig he drove me back to London in his Rover. I was very impressed with his car and driving. He was telling me that he wanted to start a band, and I had been thinking about it too."[12] Each was impressed with the other's playing abilities, prompting Baker to ask Clapton to join his new, then-unnamed group. Clapton immediately agreed, on the condition that Baker hire Jack Bruce as the group's bassist;[3] according to Clapton, Baker was so surprised at the suggestion that he almost crashed the car.[13]

Clapton had met Bruce when the bassist/vocalist briefly played with the Bluesbreakers in March 1966;[3] the two had also worked together as part of a one-shot band called Powerhouse (which also included Steve Winwood and Paul Jones). Impressed with Bruce's vocals and technical prowess, Clapton had wanted to work with him on an ongoing basis.

What Clapton did not know was that while Bruce was in Bond's band, he and Baker had been notorious for their quarreling.[14] While both were excellent jazz musicians and respected each other's skills, the confines of the GBO had proved too small for their egos. Their volatile relationship included on-stage fights and the sabotage of one another's instruments.[14] After Baker fired Bruce from the band, Bruce continued to arrive for gigs; ultimately, Bruce was driven away from the band after Baker threatened him at knifepoint.

Nevertheless, Baker and Bruce were able to put aside their differences for the good of Baker's new trio, which he envisioned as collaborative, with each of the members contributing to music and lyrics. The band was named "Cream", as Clapton, Bruce, and Baker were already considered the "cream of the crop" amongst blues and jazz musicians in the exploding British music scene. Before deciding upon "Cream", the band considered calling themselves "Sweet 'n' Sour Rock 'n' Roll". Of the trio, Clapton had the biggest reputation in England; however, he was all but unknown in the United States. He left The Yardbirds before "For Your Love" hit the American Top Ten.[1]

Cream made their unofficial debut at the Twisted Wheel on 29 July 1966.[3][15] Their official debut came two nights later at the Sixth Annual Windsor Jazz & Blues Festival.[3][15] Being new and with few original songs to their credit, Cream performed spirited blues reworkings that thrilled the large crowd and earned them a warm reception. In October, they also got a chance to jam with Jimi Hendrix, who had recently arrived in London. Hendrix was a fan of Clapton's music, and wanted a chance to play with him onstage.[3] Hendrix was introduced to Cream through Chas Chandler, the bassist of The Animals, who was Hendrix's manager.[3]

It was during the early organization that they decided Bruce would serve as the group's lead vocalist. While Clapton was shy about singing,[16] he occasionally harmonized with Bruce and, in time, took lead vocals on some notable Cream tunes including "Four Until Late",[17] "Strange Brew",[18] "Crossroads",[19] and "Badge".[20]

[edit] Fresh Cream

Cream's debut album, Fresh Cream, was recorded and released in 1966. The album reached #6 in the UK charts and #39 in the United States.[21] It mainly consisted of blues covers, including "Four Until Late", "Rollin' and Tumblin'" (written by Muddy Waters), "Spoonful" (written by Willie Dixon and recorded by Howlin' Wolf), "I'm So Glad" and "Cat's Squirrel".[22] The rest of the album featured songs written (or co-written) by Jack Bruce, most notably "I Feel Free" (which was a UK hit single,[3] but only included on the American edition of the LP), and two by Ginger Baker (one of which, "Toad", contained one of the earliest examples of a drum solo in rock music).

The early Cream bootlegs show that in its initial stages as a performing unit the band had not developed their signature jamming capabilities. These recordings capture a much tighter band showcasing more songs. All of the songs are reasonably short five-minute versions of "N.S.U.", "Sweet Wine" and "Toad". But a mere two months later, the setlist had been shortened, with the songs now much longer.

[edit] Disraeli Gears

"Sunshine of Your Love"
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20 second sample of the song Sunshine Of Your Love as performed by Cream
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Cream first visited the United States in March 1967 to play nine dates at the RKO Theater in New York. They returned to record Disraeli Gears in New York between 11 May and 15 May 1967. Cream's second album was released in November 1967 and reached the Top 5 in the charts on both sides of the Atlantic.[23] Produced by Felix Pappalardi (who later co-founded the Cream-influenced quartet Mountain) and engineer Tom Dowd, it was recorded at Atlantic Studios in New York. Disraeli Gears is often considered to be the band's defining effort, successfully blending psychedelic British rock with American blues. It was also the first Cream album to consist primarily of original songs, with only three of the eleven tracks written by others outside the band. Disraeli Gears not only features hits "Strange Brew" and "Tales of Brave Ulysses", but also "Sunshine of Your Love".

Although the album is considered one of Cream's finest efforts, it has never been well represented in Cream's live sets. Although they consistently played "Tales of Brave Ulysses" and "Sunshine of Your Love", a setlist consisting of several songs from Disraeli Gears was quickly dropped from the set in mid-1967, favouring longer blues jams instead of short pop songs. Only "We're Going Wrong" saw some occasional play time in their live sets. In fact, at their 2005 reunion shows in London, Cream only played three songs from Disraeli Gears: "Outside Woman Blues," "We're Going Wrong," and "Sunshine of Your Love."

In late 1967, they incorporated more jamming time in their repertoire, some songs stretching out to 20 minutes. According to Jack Bruce, they were obligated to play 20-minute jams or the audience would angrily ask for their money back. Long drawn-out jams in songs like "Spoonful", "N.S.U." and "Sweet Wine" became live favorites. Nonetheless, songs like "Sunshine of Your Love", "Crossroads", and "Tales of Brave Ulysses" remained reasonably short.

[edit] Wheels of Fire

In 1968 came Cream's third release, Wheels of Fire, which topped the American charts. Wheels of Fire studio recordings showcased Cream moving slightly away from the blues and more towards a semi-progressive rock style highlighted by odd time signatures and various orchestral instruments. However, the band did record Howlin' Wolf's "Sitting on Top of the World" and Albert King's "Born Under A Bad Sign". According to a BBC interview with Clapton, the record company, also handling Albert King, asked the band to cover "Born Under a Bad Sign", which became a popular track off the record. The opening song, "White Room", became a popular radio staple. Another song, "Politician", was written by the band while waiting to perform live at the BBC.[12] The album's second disc featured three live recordings from the Winterland Ballroom and one from the Fillmore. Eric Clapton's second solo from "Crossroads" has made it to the top 20 in multiple "greatest guitar solo" lists.[24][25][26] The 16-minute "Spoonful", from their March Winterland show, became their most epic song and a concert favourite. Ginger Baker's "Toad" is now widely-regarded as one of the greatest live drum solos in rock history.[27]

After the completion of Wheels of Fire in mid-1968, the band members had had enough and wanted to go their separate ways. As Baker would state in a 2006 interview with Music Mart magazine, "It just got to the point where Eric said to me: 'I've had enough of this,' and I said so have I. I couldn't stand it. The last year with Cream was just agony. It's damaged my hearing permanently, and today I've still got a hearing problem because of the sheer volume throughout the last year of Cream. But it didn't start off like that. In 1966, it was great. It was really a wonderful experience musically, and it just went into the realms of stupid." Also, Bruce and Baker's combustible relationship proved even worse as a result of the strain put upon the band by non-stop touring, forcing Clapton to play the perpetual role of peacekeeper.

Clapton had also fallen under the spell of Bob Dylan's former backing group, now known as The Band, and their debut album, Music from Big Pink,[3] which proved to be a welcome breath of fresh air in comparison to the incense and psychedelia that had informed Cream. Furthermore, he had read a scathing Cream review in Rolling Stone magazine, a publication he had much admired, where the reviewer, Jon Landau, called him a "master of the blues cliché."[3] It was in the wake of that article that Clapton wanted to end Cream and pursue a different musical direction.

At the beginning of their farewell tour on 4 October 1968, in Oakland, nearly the entire set consisted of songs from Wheels of Fire: "White Room", "Politician", "Crossroads", "Spoonful", "Deserted Cities of the Heart", and "Passing the Time" taking place of "Toad" for a drum solo. "Passing the Time" and "Deserted Cities" were quickly removed from the setlist and replaced by "Sitting on Top of the World" and "Toad".

[edit] Goodbye

Cream was eventually persuaded to do one final album. That album, the appropriately titled Goodbye, was recorded in late 1968 and released in early 1969, after the band had broken up. It featured six songs: three live recordings dating from a concert at The Forum in Los Angeles, California, on 19 October, and three new studio recordings (the most notable, "Badge", was written by Clapton and George Harrison, who also played rhythm guitar). "I'm So Glad", which first appeared as a studio recording on Fresh Cream, appeared as a live track on Goodbye. It was the only song to appear on both Cream's first and last albums.

Cream's "farewell tour" consisted of 22 shows at 19 venues in the United States between 4 October and 4 November 1968, and two final farewell concerts at the Royal Albert Hall on 26 November 1968. Initially another double album was planned, comprising live material from this tour plus new studio tracks, but a single album, Goodbye was released instead with three live tracks taken from their performance at The Forum in Los Angeles on 19 October 1968, and three studio tracks, one written by each of the band members. The final United States gig was at the Rhode Island Auditorium, 4 November 1968.

The two Royal Albert Hall concerts were filmed for a BBC documentary and released on video (and later DVD) as Farewell Concert. Both shows were sold out and attracted more attention than any other Cream concert, but their performance was regarded by many as below standard. Baker himself said of the concerts: "It wasn’t a good gig ... Cream was better than that ... We knew it was all over. We knew we were just finishing it off, getting it over with." Cream's live performances were already declining. In an interview from Cream: Classic Artists, Ginger Baker himself agreed that the band was getting worse by the minute.[28]

Cream's supporting acts were Taste (featuring a young Rory Gallagher) and the newly formed Yes, who received good reviews. Three performances early in Cream's farewell tour were opened by Deep Purple. Purple had originally agreed to open the entire U.S. leg of the tour, but Cream's management removed Purple after only three shows, in spite of favorable reviews and good rapport between the bands. [29] Purple fans sometimes attribute the decision to Purple's being "too good" to open - and upstaging the declining Cream. [30]

[edit] Breakup

From its creation, Cream was faced with some fundamental problems that would later lead to its dissolution in November 1968. The rivalry between Bruce and Baker created tensions in the band. Clapton also felt that the members of the band did not listen to each other enough. Clapton once told a story that when Cream were playing in a concert, he stopped playing and neither Baker nor Bruce noticed.[14] Clapton has also commented that Cream's later gigs mainly consisted of its members showing off.[31] Cream decided that it would break up in May 1968 during a tour of the US.[32] Later, in July, an official announcement was made that the band would break up after a farewell tour of the United States and after playing two concerts in London. Cream finished its tour of the United States with a 4 November concert in Rhode Island and performed in the UK for the last time in London on 25 and 26 November.[32]

[edit] Post-Cream

Blind Faith was formed immediately after the demise of Cream, following an attempt by Clapton to recruit Steve Winwood into the band in the hope that he would help act as a buffer between Bruce and Baker. Inspired by more song-based acts Clapton went on to perform much different, less improvisational material with Delaney & Bonnie, Derek and the Dominos and in his own long and varied solo career.

Jack Bruce began a varied and successful solo career with the 1969 release of Songs for a Tailor, while Ginger Baker formed a jazz-fusion ensemble out of the ashes of Blind Faith called Ginger Baker's Air Force, which featured Winwood, Blind Faith bassist Rick Grech, Graham Bond on sax, and guitarist Denny Laine of the Moody Blues and (later) Wings.

[edit] Reunions

[edit] Rock and Roll Hall of Fame

In 1993, Cream was inducted into the Rock and Roll Hall of Fame and set aside their differences to perform at the induction ceremony.[33] Initially, the trio was wary about performing, until encouraging words from Robbie Robertson inspired them to try. The end result was an incendiary set consisting of "Sunshine of Your Love", "Crossroads", and - interestingly, as the band had never played it live during their original tenure - "Born Under a Bad Sign". Clapton mentioned in his acceptance speech that their rehearsal the day before the ceremony had marked the first time they had played together in 25 years.[3] This performance spurred rumours of a reunion tour. Bruce and Baker went so far as to say in later interviews that they were, indeed, interested in touring as Cream. A formal reunion did not take place immediately, as Clapton, Bruce and Baker continued to pursue solo projects, although the latter two worked together again in the mid-1990s as two-thirds of a power trio BBM with Irish blues-rock guitarist Gary Moore.

[edit] 2005

In 2004, it was officially announced that Cream would finally reunite for a series of four shows, on 2, 3, 5, and 6 May 2005 at the Royal Albert Hall in London, the venue of their final concerts in 1968. Even more surprising was that the reunion came at Clapton's request: although the three musicians chose not to speak publicly about the shows, Clapton would later state that he had become more "generous" in regard to his past, and that the physical health of Bruce and Baker was a major factor: Bruce had recently undergone a liver transplant for liver cancer, and had almost lost his life, while Baker had severe arthritis.

Tickets for all four shows sold out in under an hour. Touts were soon charging outrageous prices for what became one of the hardest-to-get tickets in rock and roll history. The performances were recorded for a live CD and DVD. Among those in attendance were Paul McCartney and Ringo Starr, Steve Winwood, Roger Waters, Brian May of Queen, Jimmy Page of Led Zeppelin and also Mick Taylor and Bill Wyman, formerly of the Rolling Stones. The reunion marked the first time the band had played "Badge" and "Pressed Rat and Warthog" live.

The Royal Albert Hall reunion proved a success on both a personal and financial level, inspiring the reformed band to bring their reunion to the United States. For reasons unknown, Cream chose to play at only one venue, Madison Square Garden in New York City, from 24-26 October 2005. The shows were marred by some controversy in regard to tickets: the show's promoters had made a deal with credit card company American Express to make tickets available to American Express customers only in an unprecedented week-long pre-sale. Again, touts charged high prices for tickets; nevertheless, the shows were a financial success and received critical praise.

Fans of Cream hoped for a full-scale tour, but a statement from Cream's publicist days after the last performance put the nail in that particular coffin, when it was announced that Cream would not tour the United States. In an interview with Jack Bruce in the December 2005 issue of Bass Player magazine, Bruce hinted that he would like to see Cream continue in one way or another, possibly in the form of a new album, but that a tour was out of the question: "It would be quite a challenge to try to create music that would stand up to the classic songs. I've got a few ideas already — in fact, I wrote a song yesterday that I think would work. I just don't know if it will happen, because we all feel the band is so special we don't want to do it that often, if we go on. We've had offers you wouldn't believe — I didn't believe — for long world tours, and it's tempting. But none of us wants to accept because it would take away from the rarity and special nature of getting together. I'd like to do it every now and again and just play somewhere, but we could do an album amidst that, and I'm going to suggest it."

[edit] 2006-present

In February 2006, Cream received a Grammy Lifetime Achievement Award in recognition of their contribution to, and influence upon, modern music. That same month, a "Classic Albums" DVD was released detailing the story behind the creation and recording of Disraeli Gears. On the day prior to the Grammy ceremony, Bruce made a public statement that more one-off performances of Cream had been planned: multiple dates in a few cities, similar to the Royal Albert Hall and Madison Square Garden shows. However, this story was rebutted by both Clapton and Baker, first by Clapton in a Times article from April 2006. The article stated that when asked about Cream, Clapton said: "No. Not for me. We did it and it was fun. But life is too short I've got lots of other things I would rather do, including staying at home with my kids. The thing about that band, he says, was that it was all to do with its limits....it was an experiment". In an interview in the UK magazine Music Mart, about the release of a DVD about the Blind Faith concert in Hyde Park 1969, Baker commented about his unwillingness to continue the Cream reunion. These comments were far more specific and explosive than Clapton's. Jack Bruce told Detroit's WCSX radio station in May 2007 that there were plans for a Cream reunion later in the year. It was later revealed that the potential performance was to be November 2007 London as a tribute to Ahmet Ertegün. The band decided against it and this was confirmed by Bruce in a letter to the editor of the Jack Bruce fanzine, The Cuicoland Express dated 26 September 2007:

"Dear Marc,
We were going to do this tribute concert for Ahmet when it was to be at the Royal Albert Hall but decided to pass when it was moved to the O2 Arena and seemed to be becoming overly commercial."

The headlining act for the O2 Arena Ertegun tribute show (postponed to December 2007) turned out to be another reunited English hard-rock act, Led Zeppelin. So while the band members are all still alive and talking again, no Cream reunions are planned for the near future.

[edit] Discography
Main article: Cream discography

* 1966 - Fresh Cream
* 1967 - Disraeli Gears
* 1968 - Wheels of Fire
* 1969 - Goodbye

[edit] Cream tribute songs

* Eric Johnson and Alien Love Child - "Last House on the Block"
* Andy Summers - "Big Thing"
* Ginger Baker - "East Timor"

[edit] References
This article needs additional citations for verification.
Please help improve this article by adding reliable references. Unsourced material may be challenged and removed. (February 2008)

1. ^ a b c Unterberger, Richie. "Cream: Biography" (in en). allmusic.com. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:gifixqw5ldte~T1. Retrieved on 2008-06-30.
2. ^ "Cream - the Band" (in en). BBC. 2000-09-20. http://www.bbc.co.uk/dna/h2g2/A425774. Retrieved on 2008-06-30.
3. ^ a b c d e f g h i j k l Cream: Classic Artists. [DVD]. Image Entertainment. 2007.
4. ^ Musicradar.com
5. ^ CNN.com
6. ^ Whereseric.com
7. ^ a b c "Cream: Biography: Rolling Stone". RollingStone.com. http://www.rollingstone.com/artists/cream/biography. Retrieved on 2008-07-08.
8. ^ "allmusic (((Rush > Overview)))". Allmusic.com. http://allmusic.com/cg/amg.dll?p=amg&sql=11:gifwxqr5ldke. Retrieved on 2008-11-08.
9. ^ "allmusic (((Black Sabbath > Overview)))". Allmusic.com. http://allmusic.com/cg/amg.dll?p=amg&sql=11:gifoxqw5ldse~T0. Retrieved on 2008-11-08.
10. ^ "VH1's 100 Greatest Artists of Hard Rock (20-1)" (in en). VH1. 2000. http://www.vh1.com/shows/dyn/the_greatest/62188/episode_wildcard.jhtml?wildcard=/shows/dynamic/includes/wildcards/the_greatest/hardrock_list_full.jhtml&event_id=862769&start=81. Retrieved on 2008-06-26.
11. ^ ""Where's Eric Website: Nickname"". http://www.whereseric.com/ecfaq/biography-ecs-life-career/clapton-is-god-graffiti-nickname.html. Retrieved on 2007-02-17.
12. ^ a b McDermott, John (November 1997), "Strange Brew", Guitar World magazine
13. ^ Clapton, Eric (2007). Clapton: The Autobiography. New York, United States: Broadway Books. pp. g. 74. ISBN 978-0-385-51851-2.
14. ^ a b c White, Dave. "Cream" (in en). about.com. http://classicrock.about.com/od/bandsandartists/p/Cream.htm. Retrieved on 2008-06-27.
15. ^ a b Clapton, Eric (2007). Clapton: The Autobiography. United States: Broadway Books. pp. g. 77. ISBN 978-0-385-51851-2.
16. ^ Ertegün, Ahmet. (2006). Classic Albums: Cream - Disraeli Gears. [DVD]. Eagle Rock Entertainment.
17. ^ Cream (1966). Fresh Cream
18. ^ Cream (1967). Disraeli Gears
19. ^ Cream (1968). Wheels of Fire
20. ^ Cream (1969). Goodbye (1969)
21. ^ Pattingale, Graeme (1999-01-17). "Fresh Cream" (in en). http://twtd.bluemountains.net.au/cream/fresh.htm. Retrieved on 2008-06-30.
22. ^ "Album Review: Fresh Cream" (in en). answers.com. http://www.answers.com/topic/fresh-cream?cat=entertainment. Retrieved on 2008-06-30.
23. ^ Pattingale, Graeme (1998-11-19). "Disraeli Gears" (in en). http://twtd.bluemountains.net.au/cream/disraeli.htm. Retrieved on 2008-06-30.
24. ^ "Greatest Rock Guitar Solos (Live)". DigitalDreamDoor.com. http://digitaldreamdoor.nutsie.com/pages/best_guitarsolo.html. Retrieved on 2008-08-19.
25. ^ "The 25 Coolest Guitar Solos". RollingStone.com. 2007-08-06. http://www.rollingstone.com/rockdaily/index.php/2007/08/06/the-25-coolest-guitar-solos/. Retrieved on 2008-08-19.
26. ^ "The 100 Greatest Guitar Solos". Guitar World Magazine. http://guitar.about.com/library/bl100greatest.htm. Retrieved on 2008-08-19.
27. ^ "Greatest 'Live' Rock Drum Performances". DigitalDreamDoor.com. http://digitaldreamdoor.nutsie.com/pages/best_drumperf.html. Retrieved on 2008-10-28.
28. ^ Pattingale, Graeme (2002). "A Guide to the Bootlegs" (in en). http://twtd.bluemountains.net.au/cream/bootlegguide.htm. Retrieved on 2008-06-30.
29. ^ http://books.google.com/books?id=LzzCw6xs9roC
30. ^ http://www.thehighwaystar.com/specials/sonic/inglewood68/
31. ^ Clapton, Eric (2007-10-08). "Eric Clapton Chronicles Music, Addiction and Romance in New Book" (in en). Clapton: The Autobiography. spinner.com. http://www.spinner.com/2007/10/08/eric-clapton-chronicles-music-addiction-and-romance-in-new-book/. Retrieved on 2008-11-08.
32. ^ a b Welch, Chris (2005-08-04). "The Farewell" (in en). http://www.cream2005.com/theband_farewell.lasso. Retrieved on 2008-06-28.
33. ^ "Cream" (in en). Rock and Roll Hall of Fame. http://www.rockhall.com/inductee/cream. Retrieved on 2008-06-26.

[edit] External links
Search Wikiquote Wikiquote has a collection of quotations related to: Cream (band)

* The Ginger Baker Site
* Graeme Pattingale's Those Were The Days. Complete repository of information on Cream concerts and recordings.
* Eddy's Cream Page. The Story of Rock's First Supergroup.
* Official site created around the reunion concerts.
* Cream discography, news and infos from Music city.
* Eric Clapton - Rolling Stone Interview 1968
* Famous Rolling Stone Review of Cream Show
* Famous Rolling Stone Review of Wheels Of Fire

Michael Learns To Rock











Michael Learns To Rock (also known as MLTR) is a Danish soft rock band that performs songs in English. It was formed in 1988 and has sold over 9 million records worldwide, mainly in Asia. It has produced seven studio albums as well as live and "greatest hits" albums.
Contents
[hide]

* 1 History
* 2 Discography
o 2.1 Studio albums
o 2.2 Compilations, Concerts, and mix albums
o 2.3 Singles
* 3 External links

[edit] History

In 1987, the singer-keyboardist Jascha Richter and drummer Kåre Wanscher were high school students in Aarhus, Denmark, when they saw guitarist Mikkel Lentz with his group the Rocking Studs and asked him to form a band. A year later Søren Madsen joined, playing bass.

The group debuted in Aarhus in May 1988 and later entered the city's annual talent show. The band won and hurriedly had to come up with a name. In an interview Richter admitted that it was named after Michael Jackson: "Yeah, it was like Johnny Hates Jazz and Frankie Goes to Hollywood. Sure, I've regretted calling ourselves this many times since, but we were successful so quickly we had to stick with it and over time I got used to it." (Taipei Times, 06 07 2007)

A member of the contest jury, J.P. Anderson, became the band's manager. MLTR played live but did not release its eponymous debut album, "Michael Learns to Rock," until September 1991. A single from the album, "The Actor," topped the Danish chart and also did well in Norway, Sweden, Indonesia, Malaysia, Singapore and the Philippines.

In 1993, MLTR released Colours which sold over 1 million records. The album included the singles "Sleeping Child," "25 Minutes" and "Out of the Blue." It also toured Asia for the first time. Two years later MLTR's third album, Played On Pepper came out, selling 1.2 million units, and the group played 25 shows in 10 countries. Hits from this album included "That's Why (You Go Away)" and "Someday."

The album "Paint My Love" was released in 1996 and sold 3.4 million copies. The band was also chosen as the headliner for the "Celebrate Hong Kong" concert on July 6, 1997, marking the transfer of Hong Kong from the United Kingdom to China. Its fourth studio album, "Nothing To Lose," was released in September 1997.

Soon after, MLTR's members took a break to spend time with their families and develop projects on their own or in collaboration with other artists. Even so, Richter wrote some new songs and the band's anthem "Strange Foreign Beauty" was added to a 1998 greatest hits album.

In 2000, Søren Madsen decided to leave the group to embark on a solo career, and the three remaining members carried on and produced the album "Blue Night," which went platinum in Denmark and sold well[citation needed] in Asia. The band attributed its success in Asia to a clean-living image and singing in English as a second language, and the fact that their lyrics are relatively easy to learn and sing (Taipei Times, 06 07 2007).

After the release of "Blue Night", the band took a prolonged hiatus, with Jascha Richter branching out to work on his solo album, "Blue Planet". Jascha and the band later admitted that they even considered disbanding during this time, but ultimately decided against, after their success with their greatest hits album releases. By 2004, the band regrouped again for yet another album. First, they decided to change their name once again, reverting from MLTR back to the original Michael Learns to Rock.(not cited)

"Take Me To Your Heart" (2004) focused on the Asian market. The single "Take Me To Your Heart" was a remake of Jacky Cheung's "Goodbye Kiss 吻别" and was popular in China, Hong Kong, Vietnam, Thailand and Taiwan. MLTR sang an English and Chinese duet of "Take Me To Your Heart" with Chinese singer Hu Yanbin at a 2005 New Year's Party in Guangzhou, China. The band also did a duet of the song with South Korean star Shin Hye-sung, of boy band Shinhwa.

In 2007, MLTR released "The Best of Michael Learns to Rock Live" (available by download from the band's Web site) and in July toured Hong-Kong, Taiwan, Thailand and Malaysia.

MLTR's music has been described as a Scandinavian glow that meets the international pop song, something which has been refined through the years by artists such as The Beatles, The Eagles, Elton John and Billy Joel. It's precisely the perfect balance of the two elements described above that has been instrumental in forming the compelling sound of the band and won MLTR millions of fans around the globe.

[edit] Discography

[edit] Studio albums

* Michael Learns to Rock (1991)
* Colours (1993)
* Played On Pepper (1995)
* Nothing To Lose (1997)
* Blue Night (2000)
* Take Me To Your Heart (2004)
* Eternity (2008)

[edit] Compilations, Concerts, and mix albums

* Paint My Love (1996)
* Complicated Heart (Greatest Hits vol.2) (1999)
* Greatest Hits - Strange Foreign Beauty (1999)
* 19 Love Songs / Love Ballads (2002)
* All The Best Of Michael Learns To Rock (2004)
* All The Best (2005)
* Frostbite (2005)
* India Tour Edition (2005)
* That's Why (You Go Away) (2005)
* The Ultimate Collection (2005)
* Ultimate Collection 15th Anniversary Edition (2006)
* The Best Of Michael Learns To Rock Live (2007)
* I Walk This Road Alone (2007)

[edit] Singles

1. 25 Minutes
2. A Different Song
3. A Kiss In The Rain
4. African Queen
5. Angel Eyes
6. Animals
7. Blue Night
8. Breaking My Heart
9. Breaking the Rules
10. Come On And Dance
11. Complicated Heart
12. Crazy Dream
13. Digging Your Love
14. Don't Have To Lose
15. Eternal Flame
16. Everything I Planned
17. Final Destination
18. Fools Direction
19. Forever And A Day
20. Frostbite
21. Gone After Midnight
22. Hit By A Feeling
23. Home To You
24. Hot to Handle
25. How Many Hours
26. I Still Carry On
27. I Wanna Dance
28. If You Leave My World
29. I'm Gonna Be Around
30. I'm Gonna Come Back
31. I Walk This Road Alone
32. It's Only Love
33. Judgement Day
34. Laugh & Cry
35. Let's Build A Room
36. Looking At Love
37. Love Will Never Lie
38. Magic
39. Messages
40. More Than A Friend
41. My Blue Angel
42. Naked Like the Moon
43. Nothing To Lose
44. Ocean Of Love
45. One More Minute
46. One Way Street
47. Out Of The Blue
48. Paint My Love
49. Party
50. Romantic Balcony
51. Salvation
52. Sleeping Child
53. Someday
54. Something Right
55. Something You Should Know
56. Stuck In The Heat
57. Sweetest Surprise
58. Take Me To Your Heart
59. Take off Your Clothes
60. Tell It To Your Heart
61. That's Why (You Go Away)
62. The Actor
63. This Is Who I Am
64. Traffic And Stars
65. Upon a Christmas Night
66. Watch Your Back
67. Whatever It May Take
68. Wild Women
69. Without Your Love
70. You Keep Me Running
71. You Took My Heart Away
72. You Want More
73. You'll Never Know

[edit] External links

* Michael Learns To Rock Official Website
* Michael Learns To Rock on Myspace
* Michael Learns To Rock on Facebook
* MLTR Universe - Fansite
* Simon's MLTR Homepage - Fans' site
* Interview in Taipei Times